The gut wrenching
vibration of the train makes my bare feet shake. I open my eyes to a large
number of people. I gasp desperately for fresh air, but all I get is humid,
sweat tasting air. I frantically look around. My head is filled with a million questions.
Where am I, why is my head pounding, and why is my memory so clouded? Unbearable hunger strikes my stomach; I
ignore it. I look across the room to see a woman silently sitting there with
her arms wrapped around her legs, her bones sticking out from under her skin.
“Where am I?” I
spit out of my dry mouth. She peers up at my face just in time for me to see
the blood stained side of her face. Little drops of blood glisten while
dropping to the floor. She looks so afraid, as if fearing her own life. I
immediately stop talking. I try to stand up but am met with a loud clunk as my
head is at the top of, well, I'm not exactly sure what it is. I scoot around to
see hundreds of people squeezed shoulder to shoulder just like stalks of corn
in a corn field. We are being transported like cargo. I get another whiff of
the hideous smell. I cough. They all look to have no more life in them. “Where
are we?” I rephrased.
Behind the coughs
and cries, I’m able to make out a small voice. “לגיהנום,” they cry. Although I can’t remember anything, I’m still able
to translate my native language. “To hell.” All of a sudden, we stop. I slowly
sit back. The doors open with a loud bang. The people by the door, with what
little strength they have left, scatter from the door. The blinding light hits my pupils as I begin
to blink; I can’t see anything. The cool air on my cheeks makes me feel
relieved.
“Mehr Ratten!” A
large man outside yells while laughing.
“Everybody out!” says another man, holding the
door. No one moves. He reaches to his side to pull out a gun. I scatter. He
rings out a shot into the air. I see a flash. I see Mr. Berenson, my neighbor,
lying on the ground. I see Mama and Papa.
“It's okay,
darling; it's okay, everything will be fine.” Mama’s voice. Lila, my sister,
and Papa. Suddenly I remember everything. I run out of the overpacked train. I’m
shoved into the small, little room where I am with limited air. I look around,
trying to find a way out. I need to find my family. Whatever I do, I can
tell I won’t last too long.
“You don’t want to
do that,” says a voice. I peer over to the man. He looks beaten up.
“Why not?” I say.
“We can’t escape;
they'll kill us, they’ll kill us all.” The man is barley able to speak until he’s
dragged out by a Nazi. The man squirms his boney limbs, but he is no match for
the Nazi. I stare out the door to see a large open field with layers and layers
of barbed wire fencing. I scoff. They really don’t want us to leave. I close my
eyes; there has to be a way out. The second I open them back up I see
another Nazi trotting toward our buildng. I stand back.
“Change into
these.” He throws a big pile of striped clothes in the center of the room. I
walk over to grab them. I’ve learned my lesson not to wait for them to say it
twice. I strip down to my underwear to change. The clothing’s stench stings my
nose. I gag a little.
We are lined up
into a room with a man with a razor sitting in a chair, clumps of hair on the
ground. After the man finishes shaving down all our beautiful brown locks, he
leaves. Suddenly a loud gunshot rings into my ear. I jump. My curiosity takes
the best of me as I look outside.
“No. No please, I
beg of you please have mercy. Don’t do this!” It’s the same old man I saw before lying on the ground,
guarding himself with his hands. The Nazi looks at him with no empathy in his
eyes, puts the end of the gun to the man’s forehead and shoots.
“NOO!” a woman
yells over the man's lifeless body. How could anyone do this?
“Take him away,”
the Nazi asserts to another.
After sun down I’m
set to sleep in a small cot with three others. I lie down onto the hard cot,
hunger striking my stomach again.
“Everybody up!” a
man yells. I spring up. I barely get any sleep. I can’t stop thinking about
Mama and Papa, but I've convinced myself. I’m either going to escape or die
trying. I can’t bear the fact of leaving this world like that man did.
I walk outside to see another train full of
people getting unloaded. I silently pray for all the lives that are going to be
lost at this camp. A big man shows me to a huge room where tons and tons of
bales of hay lay. He directs another couple of people to help me and then shows
himself out.
“We can’t exist
like this, what are we going to do?” escapes my mouth.
“There's nothing
we can do, we can’t escape, they'll kill us,“ she spits through her clenched
teeth.
“Well, there has
to be, we can’t just wait to die! What
if we-”
“There's nothing
to do, okay?! They're going to kill us no matter what! Have you not seen the
wires, we can’t leave!” she yells. I shut my mouth. I can’t trust anyone
anymore. I'm by myself now; it's time I’ve realized by now. I'll escape though,
I'm determined.
I heave the heavy
bales across the field, memorizing each small path, groaning through pain with
each one.
After hours of
sweat and blood it’s finally time for supper. We’re sectioned off into groups
to scoop disgusting looking soup into bowls. I get a small loaf of bread on the
side. The soups are sour with what looks like potatoes and sausage, and the
bread stale. I still swallow it down fast anyways.
“Is it good?” says
a girl. I look over to see the same girl who so rudely yelled at me earlier.
“Not really,” I
answer; I don’t look up at her.
“This is all we
really get to eat anyways,” she laughs. After she senses my emotion, her face
drops. “My name's Rina.” I look up at her. I examine her further. She must be
around my little sister's age, about 10 or 11. She has dark colored eyes, and
from the looks of her eyebrows, brown hair. She’s a brave girl, not afraid to
speak her mind.
“My name's Alya,”
I smile. She finishes her soup and cleans up. Although I convinced myself not
to trust anyone, there’s something about Rina thatI feel comforting. I feel the
need to protect her at all costs.
I follow my usual routine for the next couple
of days, evaluating my options every day. I examine every exit closely.
Memorizing the Nazis' work patterns. Day through night, with every little speck
of detail during work I notice a slight little rabbit hole under the fence. I have been taking off little chunks of dirt
each day. I tell Rina the plan every day I get closer. I’ve been planning for
weeks. The other jews have been picked off to the gas chamber one by one; less
than half remain.
During another day
of work I perfect my plans. I yank Rina into a small room with me. “Okay, we only have one chance at this, you
understand, right?” She nods. “When we get put to bed you are not going to fall
asleep. When I hear loud German voices by the door I’ll know they’ll be
switching guards. That's when I’ll go over to you. You must be ready.”
“But what if they
hear us,” she asks in her sweet, innocent voice.
“They won’t,” I
answer. “You will be quiet; do not make any sound. We are going to go outside
and hide ourselves behind this building. We are going to dig a hole. I’ve
started it, but we still need to dig more. You will go first.”
“Well, what about
you?” she asks solemnly.
I smile. “I’ll be
right behind you.”
“Okay.”
“But most
importantly, when you get through that gate, you will run. Do not look back.
And if anything happens to me, you will keep running, and do not come back for
me. Got it?” She nods. I can feel my voice cracking. I’m not sure if she's
ready for this, but we can’t wait any longer; we’re closer to death every day.
When we are put to
bed I lie down. This is it. The night I have been waiting for the minute I got
here. Freedom. I can’t wait to be free.
I close my eyes for a while until I hear the voices I’ve been listening for all
night.
I get up. I tiptoe
slowly over to Rina. I tap her, and she immediately opens her eyes. She slowly
creeps out of bed as I open the door a crack, the cold wind shocking my face.
No one in sight. This is better than I expected. My fingertips leave the
door. I take a sharp turn. I point to the bunny hole, the same old hole I've
been staring at for the last few weeks. I crouch down slowly digging, the dirt
gathering in my fingernails. Rina helps me.
“Alya,” she
whispers.
“Shh, what is it?”
“I’m scared.” I
somehow know she is going to say this. I look into her dark eyes.
“I know you are. I
am too, but I’d rather be free and scared than captured and scared.” She starts
blinking fast. “It's okay, darling, it's okay; everything will be fine.” I use
Mama's exact words. My eyes well up.
Once the hole is big enough, I kiss Rina on
the cheek and let her go. She glides her hand from my elbow all the way down to
the tip of my cold finger.
“Hey you, stop!” a
booming voice yells. We stare up. A large man’s sprinting towards us from the
other side of the field. Rina’s half way under the barbed wire fence.
“Rina, Go, Go!” I
shout.
“Alya No!!” she
screams back from the trees. I can see her salty tears streaming down her face.
BOOM!
I make it half way
until I stop. I can suddenly feel my heartbeat. My body’s not freezing anymore.
I feel everything go into slow motion. I look down to see red blood pooling out
of my chest. I look up just in time to see Rina's small little face. Through
the pain in my body I use my last strength to smile. She turns and runs. I can
see her breaking down, but it’s okay. She's safe. My mind starts to flash
again, all the memories of Mama, and Papa and Lila. It's okay, darling, it's
okay; everything will be fine. Although I’m not able to save myself, I'm not
sorry. I save Rina, and I'm satisfied with her living on for me.
-Teanne Z.
Teanne, I love how you made history come alive. By leaving in all the work, blood, and other horrors of the concentration camps, As well as some sensory language, I felt the emotion and fear of the main character. I easily recognized the nazis allusion but it took some looking up to understand the striped clothing sentence! Great job!
ReplyDeleteHey Teanne, I liked that you included the details of being in a concentration camp. It really brought the story to life, and you wrote it in a way that the reader can imagine and feel the pain and emotions in the story. And I also like the amount of details for every moment. And good job on your historical fiction.
ReplyDeleteThe story came to life because she described the feelings and what she saw. It says “I opened my eyes to see hundreds of people.” So she is also describing what she is seeing around her. In the first paragraph in the story it says “ The gut wrenching vibrations”. She was describing the other feelings around her and what the train was doing. She also describes what she smells. It says in the story “I get another whiff of the hideous smell.” It also says “The cool air hit my cheeks.” I think the central idea of the story is that sometimes there are things you cannot do. Even if you try to do those things it might be dangerous to someone or you.
ReplyDeleteTeanne, I absolutely loved your story. You really made me feel like I was in that time period. The sentence, “We are being transported like cargo,” really made me envision how packed it was. Also, the sentence, “‘We are going to dig a hole. I’ve started it, but we still need to dig more. You will go first,’' helped me feel how close they were. It showed how selfless Alya is in order to keep Rina safe. Great work!
ReplyDelete